In God’s Country: Admittedly, the one song on this album that sounds as though it could be from Boy. Red Hill Mining Town: Go figure reports in the news media say this is the first time the band will be performing this tune live.
It’s one of the band’s most tender tunes.Ħ. Running to Stand Still: It’s a railroad ballad.
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U2 entered the 2000s in a weakened state, only to come back with the excellent All that You Can’t Leave Behind (2000), How to Dismantle an Atomic Bomb (2004) and No Line on the Horizon (2009).ĥ. The complete reversal into electronic dance music from 1991’s Achtung Baby carried on two albums too long based on going back and listening to Zooropa (1993) and Pop (1997). Even the most diehard fans of the band admit that it went too far with its interest in roots music for the 1988 documentary and album Rattle and Hum. The same could be said of The Joshua Tree, which managed to combine the best elements of the band’s chiming, driving, post-punk sound, impeccable production and willingness to delve into “Americana” and make something epic. But Lockhart is right that the diminutive frontman with the big voice never took the same sort of drubbing that the far-less-friendly and gracious Sting received for his charitable efforts. At one time, Bono seemed to become ever-present, turning up on stages and at letter openings to, well, preach about debt relief and other causes. Not all fans would agree with that latter statement. But more than anything else is the dominant Christian spirituality and message of such tracks as I Still Haven’t Found What I’m Looking For, With or Without You, In God’s Country and the album’s stunning opening song, Where the Streets Have No Name. The blending of Irish and American folk traditions is effortless.
Taken through the lens of the album’s now-classic songs such as Bullet the Blue Sky or Red Hill Mining Town, the observations upon American society from an outside-looking-in globalist view resonate stronger than ever. Library of Congress National Recording Registry - alongside NWA’s Straight Outta Compton (1988) and Talking Heads’ Remain in Light (1980) - it’s safe to consider The Joshua Tree a cultural legacy. One of the few rock records from the era to be archived by the U.S. With sales in excess of 25 million and a special-anniversary release for every decade following the original release date, the album is a phenomenon. This advertisement has not loaded yet, but your article continues below.